Write Now: Critical Approaches to Creative Writing

Write Now is an exciting new addition to Scotland’s leading writing festival, Aye Write!

 
Day 2 of the Write Now programme

Researchers and writers will present their work in a critical context with an opportunity for attendees to ask questions at the end of each session. 

Saturday 10th is a ‘Conference Day’ at which researchers and writers will present their work in a critical context.

 

or call 0141 548 3511 

 

Panel 1 - What Happens when Elephants Teach Zoology? 
Lesley Glaister - St Andrews University
Elizabeth Reeder - University of Glasgow
Zoë Strachan - University of Glasgow
On Process and Teaching within a Community of Writers
Elizabeth Reeder, Zoë Strachan and Lesley Glaister will discuss their creative processes and how they influence their teaching.
 
How does individual creative practice influence the choices we make when teaching others?
Do we practice what we preach?
Is there a place for the mentor in the teaching of creative writing?
And what might the ideal creative writing programme look like?
 
Panel 2A - Poetry and The Landscape
Jen Cooper - University of Aberdeen

Creating ‘Imaginary States of Nature’: The Uses of Free Verse in Contemporary Nature Poetry

Ken Cockburn
The Road North: A Journey Through Scotland and Poetry

Shane Strachan - University of Aberdeen
Flinty Souls: Narrating the North-East
 
Panel 2B - Fact, Fiction and History
Gill James - University of Salford 
Uncovering history: three tools, three strands and three fact-fiction relationships used in writing an historical novel.      
 
Sally O’Reilly - Brunel University
Myth and monolith: tackling the Shakespeare legend.
 
Ursula Hurley - University of Salford
Writing in the dark? Carrying a torch for ancient historical fiction.
 
Panel 3A - Teaching and Judging Creative Writing
Raymond Soltysek - University of Strathclyde
A Little often: changing the creative writing culture in secondary classrooms.
 
Dr. Maeve Tynan - University of Limerick
‘Mimicry is an act of imagination’: Strategic Imitation in the Creative Writing Classroom
 
Mary Aherne - University of Hull
The Booker Prize: Who are the winners and losers in a cultural field dominated by the marketplace? 
 
Panel 3B - There’s Poetry in Everything (Even Aliens)
Mary McDonough - University of Strathclyde
Curation vs Creation: understanding and interpreting autobiographical material
 
Dorothy Alexander - Centre for Lifelong Learning
Adventures in technique: experiments in found – using restricted vocabularies to access creativity and cross media.
 
Russell Jones - Edinburgh University
Edwin Morgan and Science Fiction Poetry - Edwin Morgan: Scots Makar, respected academic, alien.
 
Panel 4A - Does Scotland Need Creative Writers?
Alicia Stubbersfield - Liverpool John Moores University
The Writer at Work: One Answer to the Question ‘What use is a degree in Creative Writing?’
 
Jacqueline Smith, Ron Butlin, Gerry Loose - Scottish Writers Centre
The Future of the Scottish Writers Centre
 
Panel 4B - Comics, Crime and more Comics
David Manderson - University of the West of Scotland
Lost Borders: A Paradigm Shift in Crime Fiction
 
Gordon Robertson
From the Dark Ages to the Renaissance - The New Wave of British Comics
 
Siân Bevan
Why So Serious? How Comedy Can Shape a Writer.

 

  • 10 Mar 12 09:00 - 18:00
  • Cost: